The film had a lack of 'star quality', however this worked in favour for newcomers Thomas Turgoose and Joseph Gilgun. Both of these were introduced to British viewers, with the latter going on to feature in The Misfits and other television shows. Justifying the film's success, it went on to acclaim numerous sequels. With a series on Channel 4, a sequel to the series, and a fourth instalment currently in the works, its clear just how much people enjoyed This Is England and are still hungry for more.
Awards including Best British film at the British Academy Film Awards, as well as newcomer The British Independent Film Awards clearly represents the film's heritage. Acting as a representation of Britishness in itself, this shows a testament to Shane's work and the themes he wanted to portray throughout his movie.
Most importantly, this was to make a political message in the way that the country was ran during the 1980's. With Thatcher's government almost dictating the working-class, this is represented both fairly and accurately in the film. With a 93% on Rotten Tomatoes, it is clear this was too a fan favourite. Reviews included; "the script and direction as being virtually flawless" and also "totally amazing and influential".
However, one element that may be considered as being slightly more unsuccessful is the films Aged 18 rating. This means that Meadow's intended audience was not entirely reached, as the film itself typically focuses with youth themes; most of the time portraying a message that young people themselves can find useful. Slightly more negative reviews also include "This is England. Yes we know that, and you had to make a movie about that." Plus, "Depressingly middle of the road... Sure, everything been done before, but this film added nothing to the 'good kid, wrong crowd'".
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