The film also is deeply rooted inside a real context, this being even the more so familiar with an older audience, more specifically those who grew up in the Eighties. Certain backdrops, costumes and props all create a feeling of nostalgia, and one scene this is apparent is when Shaun is shopping in a corner-shop. Not only does this seem familiar to a viewer, (who most likely when they were younger would do a similar thing), but the items on sale are also extremely iconic of the Eighties; including sweets and newspapers.
The film has also been said to be split into two symmetrical narratives. Arguably the first of these begin when Shaun comes across Woody and his gang, Woody instantly positioning himself as a father figure for young Shaun, when informed he is being bullied. The narrative then possibly stops and restarts again, with the introduction of Combo in his flat. The second half has a much more sinister tone to it, and Combo, like Woody, also takes on a father figure to Shaun. In the second half the viewer is more exposed to issues including racism and violence, and this can be physically seen when Combo in fact draws a line on the floor, instantly creating two halves.
Another way in which we can look at the film is through it's mix of stylised set-ups, and also documentary realism. The film's social realist genre helps to create this gritty and realistic feel. Shaun and his mother in the shoe-shop could be included in this, as through the dialogue we feel it is in fact a real conversation we are watching, and not just a film. However, a much more stylised scene includes when we see both male and female groups are walking. A wide shot has been used to allow us to see the entire cast, and this helps to identify their characters, as their full costume is also in display.
Music also plays a key part to represent Shaun's introduction of a new found culture. Music is often used in key scenes to create maximum emotion, as well as being another signifier of 'the times', adding to the overall classification of the eighties.
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