Sci-fi Horror – ‘Cloverfield’
Trailer
Jonathan Taylor
Visual imagery is used cleverly in this trailer. Close-ups,
zooms to long-shots, give an amateur-feel effect, for lost footage style, for realistic
effect. Realism and personalisation of the ‘personal camera view’ adds to the
horror genre effect, seen in many films such as ‘Blair Witch Project’ and the ‘Rec’
series.
Distorted/damaged shots are also used. Towards the end of
the trailer the picture cuts out to black constantly, then back to image
briefly. The shots move randomly and distort vision. This distortion creates
tension and unease in a viewer, heightening the atmosphere of horror and
mystery that sci-fi horror generates. This itself reflects the genre and its
conventions, as the general tone is dark and eerie.
The plot can be compressed into a
more generic form, seen as a template for many sci-fi horror movies, such as ‘Alien’
too: A ‘change’ is about to happen in everyday life (in this case, a character
is moving away). Mysterious, unexplainable (at first) things start to happen.
City/Iconic location (spaceship maybe) turns into chaos as a Supernatural/Unnatural
force is seen to be rampaging, causing mass-death, disturbance and threat to
the human-race. Group of survivors fight for survival, some will probably die
along the way. Unravelling as to why and who, but leaving many questions unanswered.
I’ve gathered this from the various short introductions to a group of
characters and the general direction in which I think the movie might take, due
to the trailer. It seems to show the eerie, mysterious tension aswell as ‘survival’
aspects of the horror genre, but the grandeur special effects, dramatic landscape
and concepts (such as world-wide shock, seen in the news broadcast) are in
relation to sci-fi films.
All characters shown are young
average/slightly privileged adults. Lead character (Rob) and ‘camera-man’ –
lead and side-kick relationship could be seen here. See it in lot of sci-fi
films, especially Monster-related ones, such as ‘Battle Los Angeles’ and ‘District
9’, where there a lead character and some form of less head-strong/courageous
close friend. The realistic, varying personalities between the characters are
shown to again, push out the realism, to create the sense of horror.
The idea of ‘just a normal day,
but it all changed’ is seen in many sci-fi and horror films. Where the trailer
starts in a familiar party setting, to that of a city in chaos. This sudden
change lands the plot into a life/death situation seen in both horror and
sci-fi movies. Also, the use of almost minimalist music, with heavy reliance on
dark-sounding sound effects, aswell as discordant and chromatic instrumentation,
give an idea of bare, eerie silence (but still, not quite silent).
There are no instantly
recognisable actors here, no Hollywood
stars to be seen. This is probably to do with the same effect as ‘The Blair
itch Project’ – planting the response of ‘is it real?’, so having that seed off
doubt, adds to the film’s realism approach, to really push the horror feeling
in the audience. Because you cannot recognise
the actors here, a lack of ‘fantasy’ or ‘reality separation’ is created, where
the audience cannot shut off and fall into the ‘safety net’ of knowing for sure
that this is completely false world, that they are safe from. It challenges the
very safety of us from others and indeed ourselves too, very common in horror
films, aswell as reflective of the themes and emotional drives of sci-fi films,
as their ideas are often complex and philosophical.
Some binary opposition can be
seen in this trailer. The idea of humans vs. the alien/unknown, is commonly
seen in sci-fi. This normally correlates with the theme of ‘team-work’ and the bond
between humans when working together to fight against evil, with the aliens
often being seen as the evil, so also reflects good vs. evil, or even possibly
innocent/defender vs. attacker.
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