Representation of Women
Over the course of the last 50 years
when television and media have become popular and widespread women
have been represented in many ways. Some of these ways rely solely on
stereotypes in order to get the message across quickly and in order
to create a 'shortcut to meaning'. This use of stereotypes can be
clearly shown in the Asda Christmas advert. In this advert the mum is
shown, through the use of a montage, to be responsible for most of
the good things that happen at Christmas, as shown through the shots
of her buying presents, getting the tree and hanging up all of the
decorations. This also shows women, through stereotyping, as the
'Housewife'. This is shown as there is no man to speak of as she
cleans the house, cooks the dinner and organises all of the
children's school plays and clothes. The advert also gives supports
the ideologies that, although the husband is the one who works to
earn the money, the wife is the one who puts the money to good use
and uses it to bring the happiness of Christmas into fruition. An
archetype used be the Decoders of this advert is 'the Mother'. This
is shown through the shots of her taking her children to a school
production and the ending shot of her looking on over the family as
they relax on Christmas day. However, no media text ever truly
reflects a group or event in society as any media text goes through a
process of Mediation. This can be seen in this advert. The idea of
organisation can be seen as they have shown only events which show
the mother to be working hard rather than while asleep or in the bath
relaxing. It also shows the shots in a fast paced order, showing that
this mother's life is also fast paced and that all of her time is
taken up with ensuring that her family have the best Christmas. This
helps with the 'Focusing' aspect of mediation which comes together to
show the audience that the main points of the advert is to see that
mothers and wives are the heart and soul of Christmas. This is also
backed up with the tag-line of the advert; “behind every Christmas,
there is a mum.”
Another representation of women is
Abigail Whistler from Blade: Trinity who could be fixed to the
archetype of the 'Tom-Boy fighter'. At the beginning of her
introduction scene she is shown as a woman with shopping bags and a
baby strapped to her chest. This seems to give off the idea of women
as housewives and mothers. However as the scene progresses and the
vampires attack she sheds her 'disguise' to reveal herself in a
tight-fitting top and combat pants wielding a blade of UV light. This
instantly becomes an alternative representation as it goes against
the traditional representation of women being emotional and being in
need of a man to save her. The use of her expert fighting style also
goes against the traditional representation of women as they are not
normally shown to be fighters, and if they do they are normally
amateurish at best. The encoders have also shown her 'alternate'
style through her clothes and hair. Although she doesn't look
horrible, her clothes are certainly not meant to be used to attract a
mate, being more practical for the type of activities she intends to
take part in – vanquishing vampires. However the 'Male Gaze' theory
can also be applied. Though her clothes are not particularly
tight-fitting, her shirt allows some cleavage to be seen which is
clearly visible during the slow-motion shot of her fighting. This has
been used in order for the audience to have more time to look at her.
The actress herself, Jessica Biel, is known to be attractive and
known for her looks which is possibly part of the reason why she was
chosen for this part. This attribute to her – being seen as an
object for men to observe – makes it seem as though she could also
fit into the idea of traditional representations.
The
third representation of women is Katy Perry in her video 'Part of
Me'. In this music video she is shown to, like Abigail, go against
the norm for
women representations. The first
event which makes her seem different is her decision to leave her
cheating boyfriend. This already goes against the norm
as
women are normally represented to rely sole heartedly on men whereas
in this video Katy is shown to cut all ties with him to go out on her
own. The second event is her deciding to join the marines. In doing
so she cuts off her hair and dons jeans, a hoody and bandages about
her chest. this contrasts greatly with the outfit she wore earlier; a
peach dress and denim jacket. in this moment she sheds her old life
to start anew in the marines. this goes against the norm
as
in most forms of the media women are represented as obsessed with
their looks and appearance, normally moving towards a more girly or
sexy look with a tight or revealing dress. Then the montage of her
time training for the army also contrasts the traditional
representation of women as it shows Katy and her comrades to be doing
a lot of physical work and activities. However some details remain
incredibly feminine as she puts on her 'war-paint' with a compact,
showing that she still takes pride in her appearance no matter where
she goes. With all of this, Katy's character could be attributed to
the 'independent feminist' archetype who believe that anything a man
can do, a woman can do better without any testosterone input.
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